![]() ![]() sometimes it can really help if somebody hits you on your hand and you’re letting out a roar and coming back at them. “Because otherwise, I guess you’d just go, ‘Next time I’m going to give it right back to you, you piece of shit.’ Of course, if I injure someone, I’m going to apologize. “If somebody knocks you in your face or you crack your head open, it’s easier if you like that person,” Gustavsson says. Of course, no Viking warrior fights alone, and Gustavsson says that her relationships with her co-stars were instrumental in developing the trust and dedication required to carry out this kind of combat on screen while having fun doing it. “But it was just so incredible to learn how to fight like this, and feel that, now, I can really stand on my own as a fighter and also as a performer.” “I was bruised like a peach, like, bruised everywhere,” Gustavsson says. In the history tome The Tale of Heike, Tomoe was described as 'a remarkably strong archer, and as a swordswoman she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on. well, you can probably guess how it ends. ![]() The audience can feel how heavy that armor is and how liberating it is for Freydis to be free from it. At one point, Freydis gets knocked down by a fellow shield maiden, and it looks like she won’t bounce back. Bloody-faced and panting, and without bowing out, she lets her armor drop to the ground. Gustavsson is referring to a particularly satisfying (and scream-heavy) scene in which Freydis’s newfound battle skills are put to the test against other women warriors, called shieldmaidens. ![]()
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